“Yet to Be Seen”, End notes
Mar. 28th, 2006 07:08 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
[ Endnotes posted 24 Jun 2016 ]
Where did the idea for the story come from?
This one is pretty simple, actually. During my deployment to Afghanistan (which I used for the most intense, sustained writing period of my life), I realized I’d not yet done a Season 1 story. For a while I had in mind something built around Moloch’s activities (“I Robot, You Jane”, S1-08), but gradually this idea took form, and I wound up doing it instead.
Is there any particular significance to the title?
Nope, just a nice turn of phrase. Of course, it does reference the facts that Marcie 1) is NOT seen, and 2) has not yet reached the point of revealing herself as she did in “Out of Mind, Out of Sight” (S1-11).
What is the thing I like most about this story? the thing I like least, or about which I feel most doubtful?
Like most, I’d have to say the contrasts. First, between Marcie’s genuine toughness and genuine vulnerability; she’s very determined, very focused, and yet a part of her simply won’t recognize that part of what put her where she is springs from her own feelings of inadequacy. Second, between her fumbling but earnest attempts at the good-
Like least … not so much disliked, but recognize as a possible weakness: I hadn’t watched OoMOoS recently when I wrote the story, and as a result had forgot just how far around the bend Marcie had become by the time of her appearance in canon. My story doesn’t contradict that, but neither does it truly acknowledge it.
Is there anything I think I could have done better, or might do differently if I had it to do over?
Obviously, the above-
Do I have any plans to follow up on this story, or to use the character(s) or situation in a subsequent fic?
There was some acknowledgment of Marcie’s clock-
Any observations to add at the end?
Though I’d been thinking about the story for some time (months, probably), I waited till I was on vacation leave in Germany to begin it, simply so that it would be done entirely in a country I’d never written in before. (I finished “the Human Touch” in Kuwait, and “Learning Curve” in Kyrgyzstan, but both stories had been begun elsewhere.)